Showing posts with label The Swartland. Show all posts
Showing posts with label The Swartland. Show all posts

Tuesday, December 1, 2009

Workers in the Vineyard







On a lovely early summer's day I take a drive to admire the farmlands between Malmesbury and Piketberg. The popular crops are wheat, vines, our local herbal Rooibos tea and proteas. It seems on the road that I'm on that most farms have opted for wheat and vines. The result is so pleasing to the eye and one is met by alternating patches of gold and green.

The workers in my painting are pruning the neat rows of vines. We sometimes complain that wine is expensive, but should consider for a moment all the labour and cost that is involved. The cuttings are grafted, cultivated, treated and dusted and then planted in ploughed and fertilised furrows. Take into account the trellising and pruning, protection against pests and diseases, irrigation, picking, sorting, distilling! What a process! The workers are usually part of the large farm "family" and will have homes, salaries, schooling and medical attention..........is wine really that expensive?

Wednesday, November 18, 2009

Neo-Baroque in the Swartland




I have sketched town halls and churches in Rotring pen, but painting the all-white very complicated Swartland Dutch Reformed Church building in its entirety was too ambitious a project, thus I offer one wing of the building! You can look at a photograph of this immensely beautiful church by searching the Malmesbury Historic Route on Google. This church was the flagship, center point and tallest structure before the grain silos started to dominate the townscape.


The style is neo-Gothic, also called Victorian Gothic which began in England in 1740. The Swartland church, one of the oldest in the country was built in 1745. In this style Gothic and Medieval forms are prefered above classical architecture. In Victorian times Classical was seen as liberal and modern, while Baroque was associated with conservatism, making it the perfect choice for seriously conservative churches.


I loved this wing of the church which created a cool quiet corner with the large tree still in its winter-skeleton mode. In my painting you can see one of those very cute Medieval-style concrete curiosities on the gable. They decorate the roof all round, each a different design, and some seem to carry bells or mirrors. I will do some more research, as Gaudi who loved Medieval ornamentation also used a lot of them in Barcelona in the early 20th century.